太平洋231原名:Pacific 231,
@Centre Pompidou 1939年,从巴黎到里尔火车7小时。2018年,高铁1小时。
to vibration of water, mechanic solid to mechanic fluid, industry to marine background
wow~运用音乐改编的纪录电影短片,音乐**之际,运用快切,逐帧剪辑完美契合音乐并造成火车越驶越快的假象,音乐与电影结合的实验。
那么 “反景镜头”是否消融了空间?
就算号称电影界的黑格尔,49年还玩人家玩剩下的蒙太奇,未免也太过时了
BFI Film on Film Festival,火车行进画面的快速剪切,拍得真好
通过剪辑创造了一种节奏,简单明快,单纯的剪辑展示
**感真强。不具叙事目的,因而也不用考虑戏剧性,只需惊心动魄地指明机械的力量和速度。赞美机械果然最好还是靠电影这种媒介,别的形式都差点意思。
让·米特里的导演代表作,根据奥涅格同名乐章改编,1948年获戛纳最佳短片;节奏不断*紧的phantom ride
Mitry;s film is not a documentary, but an attempt to ****** an atmosphere by associating visual impressions and familiar sounds, intimately, intermingled with a musical score. the music builds to a dramatic climax, then dies out with a post-orgasmic sign as the train finally arrives as its destination railway yard.