佳讯原名:Buone notizie,又名The Good News、好消息
Call this Petri's "Weekend." Every cityscape is full of trash. Every dog, though leashed, is out of control. Strange things happen in odd corners of the screen. Or call it a film for our times: terrorism, assassination, strikes, blackouts, mental illness, monitored constantly yet constantly accepted. Or if not accepted, then subjugated to **** immediate concerns: It's also an i...
Elio Petri的电影离不开犯罪。露两点的尺度。看到一个很熟悉的男配角,帕索里尼常用,不过也是用作配角。查到他名字叫Ninetto Davoli
就像它的下一个**一样丧气,疲软,病态,毫无头绪,仿佛来自看不到它的导演的报复
有点Giancarlo Giannini跟贝多利合不来的感觉,贝多利一如既往地癫狂、躁动、混乱,但不太喜欢这一部的光影、色彩、构图,莫里康内的配乐也显得弱了,丢失了一些节奏。喜欢的是他将**摊开来讲,触及一些内核,没有符号、没有隐喻、没有含蓄。