时长:76分钟
上映时间:2020-10-01(纽约电影节)
类型: 剧情 纪录片
语言:英语
地区:德国 / 阿根廷
导演: 海因茨·艾米高斯
演员: John Erdman
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简介:“ThereisnoHerehere.”AcharactersimplynamedOldWhiteMale(JohnErdman)holdscourtinthelobbiesofvariousapartmentbuild……更多>>
门廊原名:The Lobby,
“There is no Here here.” A character simply named Old White Male (John Erdman) holds court in the lobbies of various apartment buildings in Buenos Aires and expounds with measured disgust on death, consciousness, and the state of contemporary human relations. The man’s mostly unsolicited remarks form an unsparing, stitched-together modern-day monologue that alternates between a...
哇,那么深,那么反光,那么布雷赫蒂安,那么无所不知,那么多角度探索太空,但是你已经知道了,包括我的一星级评论,不是吗?(wow, so deep, so reflective, so Brechtian, so all-knowing, so much exploration of ***** with the angles, but you are already knew that, including ** 1-star review, no?)
花这么多时间看如此没意义的电影的意义在于什么?永恒的谜题。
延续导演另作“The Last ****”,别扭构图、毫无魅力、空洞虚情的演讲不仅不能打动,简直是折磨….可以把“移动的人脸+噪声”当成影像中的装置艺术吗?纪录的创意形式表现给了局限空间/演讲表达的权力,相对有特点但感染力仅限于此了
如白炽灯一般直射的,审慎且冷酷的影像。画面结构即是文本本身,黑洞般迷人的结尾。
形式新颖,不乏惊艳。一部电影一个人坐在**各样的lobby,全程间离的方式和你(观众)聊天、告诉你一些关于死亡的人生经验,偶尔无趣、偶尔深刻,只言片语间透露着有启发性的哲思。可能是为了避免枯燥,谈及“在场”与“不在场”、电影内外、时间长河的先后(“我需要喝咖啡,但对你已是过去”)很能形成主角和观众的互动效果,实体影院和线上影院的观影感受注定“不可互相语”,这也是这部电影最有趣的地方。
如白炽灯一般直射的,审慎且冷酷的影像。画面结构即是文本本身,黑洞般迷人的结尾。
65/100 #NYFF2020Virtual#39 “直面戏剧”讲座
10/12/2020, @ NYFF58 Virtual Cinema. Venting 75 mins straight. “You’re overwhelmed by the feeling that there’s always one person too many on this planet and that person is you.” “And when I look into the camera, there might be eternity on the other side or just nothing.” (奇怪,我前一天也刚好写下十分类似的话。)