Six Seventy-Two Variations, Variation 1
In this live projection performance for 16mm film, Tomonari Nishikawa explores the material specificity of the cinematic apparatus through a real-time manipulation of its physical elements. Scratching directly onto the emulsion of a looping filmstrip in the midst of projection, Nishikawa creates animated abstractions in a pattern of horizontal lines, and also generates the film...
♥️ 我不应该坐在后排的,后果就是会看到西川一直在画胶片,会提前看到他画的pattern了。 很简单像ambient music,毕竟每次表演都会不一样,他自己也还在试着看怎样做好一些。